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Cold War, Cool Medium: Television, McCarthyism, and American Culture

Thomas Doherty

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Paper, 320 pages, 43 photos
ISBN: 978-0-231-12953-4
$25.00 / £17.50

October, 2003
Cloth, 320 pages, 43 photos
ISBN: 978-0-231-12952-7
$75.00 / £52.00

I. Video Rising

A Television Genealogy

Red and Other Menaces

McCarthy: Man, Ism, and Television

II. The Gestalt of the Blacklist

The Blacklist Backstory

Pressure Groups and Pressure Points

Institutional Practices

III. Controversial Personalities

The Goldbergs: the Case of Philip Loeb

I Love Lucy: the Redhead and the Blacklist

IV. Hypersensitivity: The Codes of Television Censorship

Faye Emerson's Breasts, Among other Controversies

Amos 'n' Andy: Blacks in Your Living Room

V. Forums of the Air

Egghead Sundays

Direct Address

The Ike-onoscope

VI. Roman Circuses and Spanish Inquisitions

"Kefauver Fever": The Kefauver Crime Committee Hearings of 1951

HUAC-TV

Wringing the Neck of Reed Harris: The McCarthy Committee Voice of America Hearings of 1953

VII. Country and God

I Led 3 Lives: "Watch Yourself Philbrick!"

Religious Broadcasting

Life Is Worth Living: Starring Bishop Fulton J. Sheen

VIII. Edward R. Murrow Slays The Dragon of Joseph McCarthy

TV's Number One Glamour Boy

Murrow Versus McCarthy

The "Good Tuesday" Homily

To Be Person-to-Personed

"A Humble, Poverty Stricken Negress": Annie Lee Moss Before the McCarthy Committee

McCarthy Gets Equal Time

IX. "The Speaktacular": the Army-McCarthy Hearings, April 22-June 17, 1954

Backstory and Dramatis Personae

Gavel to Gavel Coverage

Climax: "Have You No Sense of Decency?"

Denouement: Reviews and Post-Mortems

X. Pixies: Homosexuality, Anti-Communism, and Television

Red Fades to Pink

Airing the Cohn-Schine Affair

XI. The End of the Blacklist

The Defenders: The Blacklist on Trial

Point of Order!: The Army-McCarthy Hearings, the Movie

XII. Exhuming McCarthyism: the Paranoid Style in American Television

Related Subjects


About the Author

Thomas Doherty is a professor in the American studies department and chair of the film studies program at Brandeis University. He is the author of Projections of War: Hollywood, American Culture, and World War II; PreCode Hollywood: Sex, Immorality and Insurrection in American Cinema, 1930-1934; and Teenagers and Teenpics: The Juvenilization of American Movies in the 1950s, and is associate editor of the film journal Cinéaste.

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