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Film, a Sound Art

Michel Chion

Paper, 560 pages, 248 illus.
ISBN: 978-0-231-13777-5
$32.50 / £22.50

July, 2009
Cloth, 560 pages, 248 illus.
ISBN: 978-0-231-13776-8
$84.50 / £58.50


Preface to the English Edition, by

Translator's Note

Part One by History

Chapter 1, by When Film Was Deaf (1895-1927)

Chapter 2, by Chaplin-Three Steps into Speech

Chapter 3, by Birth of the Talkies or of Sound Film? (1927-1935)

Chapter 4, by Jean Vigo-The Material and the Ideal

Chapter 5, by The Ascendancy of King Text (1935-1950)

Chapter 6, by Babel

Chapter 7, by The Time It Takes for Time to "Harden" (1950-1975)

Chapter 8, by The Return of the Sensorial (1975-1990)

Chapter 9, by The Silence of the Loudspeakers (1990-2003)

Chapter 10, by On a Sequence from The Birds: Sound Film as Palimpsestic Art

Part Two by Aesthetics and Poetics

Chapter 11, by Jacques Tati, the Cow, and the Moo

Chapter 12, by The Disappointed Fairies Around the Cradle

Chapter 13, by The Separation

Chapter 14, by The Real and the Rendered

Chapter 15, by The Three Borders

Chapter 16, by Audiovisual Phrasing

Chapter 17, by Alfred Hitchcock: Seeing and Hearing

Chapter 18, by The Twelve Ears

Chapter 19, by Orson Welles: The Voice and the House

Chapter 20, by The Talking Machine

Chapter 21, by Faces and Speech

Chapter 22, by Andrei Tarkovsky: Language and the World

Chapter 23, by The Five Powers

Chapter 24, by God Is a Disc Jockey

Chapter 25, by Max Ophuls: Music, Noise, and Speech

Chapter 26, by Like Tears in Rain

Glossary

List of Illustrations

Index

Related Subjects


Series


About the Author

Michel Chion is a composer of musique concrète, a filmmaker, an associate professor at the Université de Paris, and a prolific writer on film, sound, and music. His books with Columbia University Press are The Voice in Cinema and Audio-Vision: Sound on Screen. Claudia Gorbman is a film studies professor at the University of Washington, Tacoma. She is the author of Unheard Melodies: Narrative Film Music, the editor of several books, and the author of many articles on film sound and film music. She is also the translator of Michel Chion's The Voice in Cinema, Audio-Vision: Sound on Screen, and 2001: Kubrick's Cinema Odyssey.

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