Duchamp Is My Lawyer

The Polemics, Pragmatics, and Poetics of UbuWeb

Kenneth Goldsmith

Columbia University Press

Duchamp Is My Lawyer

Pub Date: July 2020

ISBN: 9780231186957

312 Pages

Format: Paperback

List Price: $26.00£20.00

Pub Date: July 2020

ISBN: 9780231186940

312 Pages

Format: Hardcover

List Price: $95.00£78.00

Pub Date: July 2020

ISBN: 9780231546911

312 Pages

Format: E-book

List Price: $25.99£20.00

Duchamp Is My Lawyer

The Polemics, Pragmatics, and Poetics of UbuWeb

Kenneth Goldsmith

Columbia University Press

In 1996, during the relatively early days of the web, Kenneth Goldsmith created UbuWeb to post hard-to-find works of concrete poetry. What started out as a site to share works from a relatively obscure literary movement grew into an essential archive of twentieth- and twenty-first-century avant-garde and experimental literature, film, and music. Visitors around the world now have access to both obscure and canonical works, from artists such as Kara Walker, Yoko Ono, Pauline Oliveros, Samuel Beckett, Marcel Duchamp, Cecil Taylor, Glenn Ligon, William Burroughs, and Jean-Luc Godard.

In Duchamp Is My Lawyer, Goldsmith tells the history of UbuWeb, explaining the motivations behind its creation and how artistic works are archived, consumed, and distributed online. Based on his own experiences and interviews with a variety of experts, Goldsmith describes how the site navigates issues of copyright and the ways that UbuWeb challenges familiar configurations and histories of the avant-garde. The book also portrays the growth of other “shadow libraries” and includes a section on the artists whose works reflect the aims, aesthetics, and ethos of UbuWeb. Goldsmith concludes by contrasting UbuWeb’s commitment to the free-culture movement and giving access to a wide range of artistic works with today’s gatekeepers of algorithmic culture, such as Netflix, Amazon, and Spotify.
UbuWeb is one of the great avant-garde projects of our times. In Duchamp Is My Lawyer, Goldsmith takes us through the aesthetic, legal, economic and social aspects of the whole project. Through it, we see how the avant-garde had to shift gears to move from the era of analog media to that of digital, or database media. It is an essential document on the theory and practice of experimental media art. McKenzie Wark, author of A Hacker Manifesto

About the Author

Kenneth Goldsmith teaches writing at the University of Pennsylvania and is a senior editor of PennSound, an online poetry archive. His books include Uncreative Writing: Managing Language in the Digital Age (Columbia, 2011); Capital: New York, Capital of the Twentieth Century (2015); and Wasting Time on the Internet (2016).