An Essential Guide to Classic Films of the Era
Taken as a whole, the sixteen remarkable films discussed in this provocative new volume of essays represent the brilliant creativity that flourished in the name of German cinema between the wars. Encompassing early gangster pictures and science fiction, avant-garde and fantasy films, sexual intrigues and love stories, the classics of silent cinema and Germany's first talkies, each chapter illuminates, among other things: the technological advancements of a given film, its detailed production history, its critical reception over time, and the place it occupies within the larger history of the German studio and of Weimar cinema in general. Readers can revisit the careers of such acclaimed directors as F. W. Murnau, Fritz Lang, and G. W. Pabst and examine the debuts of such international stars as Greta Garbo, Louise Brooks, and Marlene Dietrich. Training a keen eye on Weimer cinema's unusual richness and formal innovation, this anthology is an essential guide to the revolutionary styles, genres, and aesthetics that continue to fascinate us today.
Weimar Cinema is the volume on this fascinating era of international film history.
A super collection of essays about sixteen dynamite flicks.
This superb collection... [is] an excellent overview of the critical frameworks of German film studies... Essential.
A well-constructed and welcome introduction to a number of classics.
Weimar Cinema will prove equally useful to teachers of undergraduates as to those engaging in ongoing scholarly research into this fascinating period in German filmhistory.
With its detailed filmography and intelligently organized index, this work could easily serve as the primary textbook for a survey of Weimar film.
Glenn R. Cuomo
1. Suggestion, by Hypnosis
2. Of Monsters and Magicians: Paul Wegener's The Golem: How He Came into the World (1920)
3. Movies, by Money
4. No End to Nosferatu (1922)
5. Fritz Lang's Dr. Mabuse, by the Gambler (1922): Grand Enunciator of the Weimar Era
6. Who Gets the Last Laugh? Old Age and Generational Change in F. W. Murnau's The Last Laugh (1924)
7. Inflation and Devaluation: Gender, by Space
Sara F. Hall
8. Tradition as Intellectual Montage: F. W. Murnau's Faust (1926)
9. Metropolis (1927): City, by Cinema
10. Berlin, by Symphony of a Great City (1927): City
Nora M. Alter
11. Surface Sheen and Charged Bodies: Louise Brooks as Lulu in Pandora's Box (1929)
12. The Bearable Lightness of Being: People on Sunday (1930)
13. National Cinemas& thinsp;/& thinsp;International Film Culture: The Blue Angel (1930) in Multiple Language Versions
14. Coming Out of the Uniform: Political and Sexual Emancipation in Leontine Sagan's Mädchen in Uniform (1931)
Richard W. McCormick
15. Fritz Lang's M (1931): An Open Case
16. Whose Revolution? The Subject of Kuhle Wampe (1932)
CHOICE Outstanding Academic Title, 2009