Alternative Europe: Eurotrash and Exploitation Cinema Since 1945
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Audience Economics: Media Institutions and the Audience Marketplace
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The Authentic Voice: The Best Reporting on Race and Ethnicity
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The Body's Perilous Pleasures: Dangerous Desires and Contemporary Culture
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China on Screen: Cinema and Nation
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Cinema Before Cinema: The Origins of Scientific Cinematography
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The Cinema of Ang Lee: The Other Side of the Screen
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The Cinema of Australia & New Zealand
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The Cinema of Britain and Ireland
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The Cinema of David Lynch: American Dreams, Nightmare Visions
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The Cinema of Emir Kusturica: Notes from the Underground
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The Cinema of John Carpenter: The Technique of Terror
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The Cinema of Kathryn Bigelow: Hollywood Transgressor
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The Cinema of Ken Loach: Art in the Service of the People
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The Cinema of Lars von Trier: Authenticity and Artifice
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The Cinema of Mike Leigh: A Sense of the Real
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The Cinema of Nanni Moretti: Dreams and Diaries
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The Cinema of Robert Lepage: The Poetics of Memory
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The Cinema of Roman Polanski: Dark Spaces of the World
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The Cinema of Spain and Portugal
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The Cinema of Terrence Malick: Poetic Visions of America, Second Edition
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The Cinema of Todd Haynes: All That Heaven Allows
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The Cinema of Werner Herzog: Aesthetic Ecstasy and Truth
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The Cinema of Wim Wenders: The Celluloid Highway
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The Cinema of the Low Countries
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Cinema of the Other Europe: The Industry and Artistry of East Central European Film
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The Cinematic Tango: Contemporary Argentine Film
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Close-Up 02: Movies and Tone / Reading Rohmer / Voices in Film
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The Columbia Companion to American History on Film: How the Movies Have Portrayed the American Past
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The Contemporary Television Series
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Crossing New Europe: Postmodern Travel and the European Road Movie
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Designing Women: Cinema, Art Deco, and the Female Form
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Differences in the Dark: American Movies and English Theater
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Direct Cinema: Observational Documentary and the Politics of the Sixties
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Documentary: The Margins of Reality
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Dziga Vertov: The Vertov Collection at the Austrian Film Museum
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Electric Sounds: Technological Change and the Rise of Corporate Mass Media
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The Essential Feature: Writing for Magazines and Newspapers
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February 1990
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978-0-7486-2345-7
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Filming History: The Memoirs of John Turner Newsreel Cameraman
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