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Chavez: The Revolution Will Not Be Televised: A Case Study of Politics and the Media
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The Cinema of Ang Lee: The Other Side of the Screen
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The Cinema of John Carpenter: The Technique of Terror
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The Cinema of Kathryn Bigelow: Hollywood Transgressor
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The Cinema of North Africa and the Middle East
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The Cinema of Terrence Malick: Poetic Visions of America
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The Cinema of Todd Haynes: All That Heaven Allows
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The Cinema of Wim Wenders: The Celluloid Highway
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Cold War, Cool Medium: Television, McCarthyism, and American Culture
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The Columbia History of American Television
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Contemporary British Cinema: From Heritage to Horror
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Crime Films: Investigating the Scene
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Differences in the Dark: American Movies and English Theater
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Direct Cinema: Observational Documentary and the Politics of the Sixties
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Documentary Display: Re-Viewing Nonfiction Film and Video
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Dziga Vertov: The Vertov Collection at the Austrian Film Museum
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Austrian Film Museum
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Electric Sounds: Technological Change and the Rise of Corporate Mass Media
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Experiencing Music Video: Aesthetics and Cultural Context
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Films of Fact: A History of Science in Documentary Films and Television
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Fires Were Started: British Cinema and Thatcherism
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France on Film: Reflections on Popular French Cinema
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From Peepshow to Palace: The Birth of American Film
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German Expressionist Cinema: The World of Light and Shadow
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Hearst Over Hollywood: Power, Passion, and Propaganda in the Movies
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Hitchcock Annual
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Hollywood Science: Movies, Science, and the End of the World
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Hollywood from Vietnam to Reagan...and Beyond: A Revised and Expanded Edition of the Classic Text
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Hollywood's Censor: Joseph I. Breen and the Production Code Administration
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The Holocaust and the Moving Image: Representations in Film and Television Since 1933
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Home in Hollywood: The Imaginary Geography of Cinema
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Introduction to Documentary Production: A Guide for Media Students
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John Mills and British Cinema: Masculinity, Identity and Nation
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Katharine Hepburn: Star as Feminist
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Masculine Interests: Homoerotics in Hollywood Film
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The Musical: Race, Gender and Performance
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Narrative, Apparatus, Ideology: A Film Theory Reader
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New German Cinema: The Images of a Generation
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The New Hollywood: From Bonnie and Clyde to Star Wars
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Projections of War: Hollywood, American Culture, and World War II
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Reading Hollywood: Spaces and Meanings in American Film
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Reading the French New Wave: Critics, Writers and Art Cinema in France
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The Red and the White: The Cinema of People's Poland
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The Red and the White: The Cinema of People's Poland
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Representing Atrocity in Taiwan: The 2/28 Incident and White Terror in Fiction and Film
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Sapphism on Screen: Lesbian Desire in French and Francophone Cinema
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Screen Methods: Comparative Readings in Film Studies
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Sentimental Fabulations, Contemporary Chinese Films: Attachment in the Age of Global Visibility
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Shakespeare on Film: Such Things as Dreams are Made of
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Speaking in Images: Interviews with Contemporary Chinese Filmmakers
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Subversion: The Definitive History of Underground Cinema
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Teen Movies: American Youth on Screen
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The Undercut Reader: Critical Writing on Artists' Film and Video
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Vision On: Film, Television and the Arts in Britain
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The Wallflower Critical Guide to Contemporary British and Irish Directors
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