The Dynamic Frame

Camera Movement in Classical Hollywood

Patrick Keating

Columbia University Press

The Dynamic Frame

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Pub Date: February 2019

ISBN: 9780231190510

424 Pages

Format: Paperback

List Price: $35.00£27.00

Pub Date: February 2019

ISBN: 9780231190503

424 Pages

Format: Hardcover

List Price: $105.00£81.00

Pub Date: February 2019

ISBN: 9780231548953

424 Pages

Format: E-book

List Price: $34.99£27.00

The Dynamic Frame

Camera Movement in Classical Hollywood

Patrick Keating

Columbia University Press

The camera’s movement in a film may seem straightforward or merely technical. Yet skillfully deployed pans, tilts, dollies, cranes, and zooms can express the emotions of a character, convey attitude and irony, or even challenge an ideological stance. In The Dynamic Frame, Patrick Keating offers an innovative history of the aesthetics of the camera that examines how camera movement shaped the classical Hollywood style.

In careful readings of dozens of films, including Sunrise, The Grapes of Wrath, Rear Window, Sunset Boulevard, and Touch of Evil, Keating explores how major figures like F. W. Murnau, Orson Welles, and Alfred Hitchcock used camera movement to enrich their stories and deepen their themes. Balancing close analysis with a broader poetics of camera movement, Keating uses archival research to chronicle the technological breakthroughs and the changing division of labor that allowed for new possibilities, as well as the shifting political and cultural contexts that inspired filmmakers to use technology in new ways. An original history of film techniques and aesthetics, The Dynamic Frame shows that the classical Hollywood camera moves not to imitate the actions of an omniscient observer but rather to produce the interplay of concealment and revelation that is an essential part of the exchange between film and viewer.
Camera movement, while widely acknowledged as a major aspect of film style and narration has not had a historical study devoted to it, and certainly has not been probed with the degree of specific analysis that Keating does here. The combination of detailed careful viewing of a wide range of films in order to isolate significant instances of camera movement and the ability to provide an overview of the issues discussed by cinematographers, directors and critics in the era the films were made is literally something no other scholar has done -- and I would add probably no other scholar could do so well. The Dynamic Frame should become a classic in film studies literature.Tom Gunning, University of Chicago

About the Author

Patrick Keating is associate professor of communication at Trinity University, where he teaches courses in film and video production. He is the author of Hollywood Lighting from the Silent Era to Film Noir (Columbia, 2010).