Wallflower Press specializes in academic literature devoted to cinema and the moving image.
Independent from 2000 until becoming a wholly owned imprint of Columbia University Press in 2011, Wallflower Press publishes intellectually rigorous works for film scholars, students, and cinephiles. In addition to a wide range of stand-alone titles from across the spectrum of contemporary world cinema studies are the four main pillars of the Wallflower Press list: books in the Short Cuts series offer concise introductory treatments of foundational concepts in film theory and history; the Directors’ Cuts books provide detailed auteur studies of significant contemporary international filmmakers; the Cultographies series focuses on individual cult films, primarily from a reception studies perspective; and books in the Nonfictions series examine current and emerging trends in documentary and other nonfiction film forms.
Other series include the 24 Frames list that explores national and regional cinema via specially-curated volumes that select twenty-four key films from each territory around the world; Dekalog, a list of edited anthologies on specific subjects which include the writings of film scholars, critics, programmers, museum curators, and others cinephiles.
Wallflower Press publishes a roughly a dozen new titles each year within these series and beyond. We look for books that can engage film scholars, students, and cinephiles through a combination of academic rigor, appropriate critical approach, and timely subject matter.
Authors interesting in submitting inquiries for potential new projects or completed proposals are very welcome to contact Yoram Allon, commissioning editor, at firstname.lastname@example.org.